Trailer of the Week!

This weeks trailer of the week is a low key one, but it goes to:

Goodbye Christopher Robin (Trailer #2)

Domhnall Gleeson and Margot Robbie head up a movie here that might be bit on the low key side, but its certainly not lacking in acting talent. It following the life and story behind A.A. Milne’s world famous Winnie the Pooh series of books inspired by his son Christopher Robin. The story itself looks to tell both a larger and smaller story here however, as we see clips in the trailer showing both his struggles with PTSD, as well as letting his son influence his work in a direction he probably never expected.

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The movie seems to be much more of a character study on the lives of these characters, than the characters of Pooh and the like, where we get a real in-depth look at how these kinds of culturally changing events occur. I’m not sure just how large a role Robbie will have as she doesn’t have much time in the trailer, but with her capability as an actor, I have no doubt that she will be smash any level of a role she’s given.

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What do you think about this Goodbye Christopher Robin trailer, is it too low key of a movie for you, or are you a fan of the more dramatic stuff? Either way comment and let me know what you think about it, and if you plan on seeing this movie.

Review : The Cutlass

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“Inspired by true events, THE CUTLASS is a dramatic thriller set in the tropical wilderness of Trinidad and tells the story of a young woman who falls into the grasp of a dangerous sociopath. She finds herself isolated and musters the courage to emotionally battle the unsettled mind of her abductor.”

As the summary implies, this movie both takes place and was made by and in Trinidad and Tobago (so if you’re not from or in the Caribbean you might not be able to see this one). Its written by Teneille Newallo, and directed by Darisha Beresford, and it boasts a genuinely diverse cast across all levels. The movie itself is definitely more good than bad, but first, the good. Arnold Goindhan who plays the antagonist here, has the meatiest role, and the most heavy lifting, acting wise to do here, and he does a pretty good job. He does come across as sincere in his more vulnerable moments, and when he keeps his portrayal subtle, he really shines. He does this across from Lisa-Bel Hirschmann, who definitely keeps her acting as subtle as possible, but for the most part doesn’t have as much to play against. Her most emotional scene however, is done really well, and she does tug on the heart strings with her performance there. I do think some of the cinematography does lack a bit of imagination, as I think it would have allowed for some more powerful scenes with some better framing. I also did have some problems with the sound, not in that it was bad, or not done properly, there just were a few times when I felt in either the ADR, or straight audio mixing of the audio, that some dialogue didn’t feel like it was happening in the situation, but sounded more like a voice over. The score I also wasn’t too impressed with, for the most part it was very subdued and subtle, and thats fine, but I felt like when it really needed to swell and help impart some emotion or suspense, it came off a bit lack luster. And lack luster is how I would define the ending of this movie, for most of it, everything in the movie is building towards to a head, towards some kind of resolution, and you just never get it. There is an ending here, and there are definite resolutions in the script, but things don’t feel resolved, they feel like what we invested in before, was fully paid off. I know I probably sound like I really don’t like this film, but I did like it, the things that it did well, it genuinely did. There are some problems here yes, like any movie really, but this movie definitely shows the raising levels of Caribbean film making. Production wise this is one of the best local (local meaning Trinidadian) films I’ve seen. All in all, I do encourage anyone who has the opportunity to check this movie out to do so, supporting local industries is important for growth, and there is definitely enjoyment to be had in this movie.

Review Score : 7 out of 10

Trailer of the Week!

This week we have a trailer that came out of no where, but is looking to make a big splash:

Suburbicon (Trailer #1)

Suburbicon is film, written by the Coen brothers, and directed by one of their favorites in George Clooney. It stars Matt Damon, Oscar Isaac, Julianne Moore, and more, and centers around the central plot of a home invasion gone awry, but of course with the quirks and flare of every Coen script ever. Just from what we see in the trailer here, its so full of the Coen-isms, that it will also be really interesting to see how much of Clooney’s directing we can see though this mist of Coen.

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Matt Damon of course is a consummate professional as always. He does ever seem to phone in a role, and he can really can excel when asked to play roles so varied as this one seems. Setting him between the like of a Julianna Moore, and a Oscar Isaac, will also allow him perfect sparing partners to work off of when he tries to flex his acting muscles here. We’re going to need a more story oriented trailer to get a real better idea of what the real narrative here is, but so far, I know I’m hooked.

Review : Dunkirk

“Dunkirk (2017) Robert Paege Allied soldiers from Belgium, the British Empire and France are surrounded by the German army and evacuated during a fierce battle in World War II.”

Firstly, it must be said, the British navy had the sweetest coats ever, so stylish and I’m sure some warm, unto the movie now. In some ways Dunkirk is unlike any other Chris Nolan movie, and in some ways it’s like the best of his movies. This movie is first and foremost an education in film making. This movie is absolutely gorgeous, and uses some of Nolan’s most effective and trademark camera techniques (like when he locks a camera down to something then let’s that thing role or spin), and here those methods work really well to build tension and a real awareness of tight spaces. This movie is also anchored by an amazing score from Hans Zimmer, which is in itself anchored by a ticking clock that goes through the entire movie save the last 3 or so minutes. Together the cinematography and score, when added to Nolan’s directing, make for a movie that people will probably use to teach these things years from now. This movie isn’t perfect however, and the one real flaw it has, is a bit of a gaping hole. There are a good few characters for us to follow here, set on three different time lines, but we get about zero character development for any of them, which makes feeling for them in situations of danger difficult. Don’t get me wrong, you feel the danger, but the characters in danger could be anyone really and it wouldn’t even matter that it’s Harry Styles or not. The real question here is does this lack of the movie’s soul hurt it, and how much does it? Well it does, and it does hurt. We see some of these characters no some horrible things, and they’re either never redeemed, or given sufficient background to give those actions meaning. All in all, Dunkirk is a triumph of film making, but it can’t transcend to being a triumph of film.

Review Score : 7.5 out of 10

Trailer of the Week! Comic Con Edition!

So I know gave you guys a trailer(s) of the week already, but with all the extra stuff this week, I also decided to give you my pick, for what was the best of all the trailers out of Comic con. The Comic con best trailer goes to…

Thor Ragnarok (Comic con Trailer)

Talk about money shots, this trailer has everything. This trailer does so many things, and it does them all amazingly. To start, we get the full brunt of the new tone for this franchise (Thor movies that is), and in that new tone, we get a perfect blend of the quirky and witty humor of Taika Waititi, blended perfectly and seamlessly with the over the top astral combat that a movie like Thor allows for.

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We also get a much better look at all the main characters here, and a slightly better look at their individual roles. This movie sees the addition of a host of new characters, new both to Thor, and the MCU on a whole. This new team of Thor, Hulk, Loki, and Valkyrie, has to team up against the likes of Hela, Skurge, The Grandmaster, and even the fire lord Surtur. This trailer really give us an idea of just how epic of adventure this movie is set to take us on.

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The visuals look stunning. The costuming and effects are out of this world. The acting on show here is also incredible, especially from the new additions to the Thor cast, and all of these things together give this trailer an amazing base, that when it hits us with those amazing shots and reveals, each one bigger than the last, that theres no way to watch this trailer and not get hyped up. So what do you think? Agree with my choice for the pick of the litter of the comic con trailers, and did you have another one in mind?

Trailer of the Week!

This week is a special week. Usually I go through all the trailers for the week and find the one I think does the best at selling a movie and a concept. This week however is also the week of Comic Con, and with that, we got a whole lot of them, so this week I’m giving you guys a top three of the week. Enjoy!

3 – Kingsman : The Golden Circle (Trailer #2)

2 – Blade Runner 2049 (Trailer #2)

1 – Bright (Tailer #1)

What we have here, are three very different trailers, but also very similar. All three of these movies are slated for later in the year and they all have pretty big expectations. Starting with the newest trailer for Kingsman 2, we get a lot more of the story line here, and a considerable amount of action which makes one wonder just how much can they pack into this sequel. Adding a secondary group of heroes, the Statesmen of America, allows the movie to add another level in it casting, and it does so handily with some big names as well as fan favourites. This trailer shows that the movie doesn’t plan on losing any of its signature style, while ratcheting everything about up to an 11.

Then at the number 2 spot, we have another sequel, this one however, considerably longer in the making. The newest trailer for Blade Runner 2049, like the Kingsman trailer, gives us a much better look at the storyline the movie itself will be taking us on. Erie, tense, suspenseful and gripping, this trailer seeks to give us a tease of what the entire movie is likely to be like in terms of tone and scope, while also teasing out some of the newer characters and their motivations.

Finally we come to bright, the only movie here that doesn’t have a huge planned theatrical release as its another in the ever growing stable of Netflix made and made for movies. Featuring the likes of Will Smith and Joel Edgerton (under some heavy makeup), bright is the latest from the mind of Max Landis and directed by Fury’s David Ayer, the movie gives us a look at a super realistic take on the idea of a world filled with goblins and ghouls, fairies and elves, and all manner of magical creatures. This first feature trailer also like the trailers before it, gives us a very good idea of where this movie plans to go, and it will be something to see if all the parts that make up this movie can come together and give us a great movie in the end.

There are some other great trailers that dropped this week, but I only went with three here, as these three left a large impression on me, but I will give a shoutout to the new trailer for The Shape of Water, and Professor Marston and the Wonder Women. Both excellent and intriguing trailers that I’m sure we will see come back on here soon enough.

 

Review : The BeguiledĀ 

“The unexpected arrival of a wounded Union soldier at a girls’ school in Virginia during the American Civil War leads to jealousy and betrayal.”

The Beguiled 2017, not the be confused with the 1971 movie of the same name, is the latest from Sofia Coppola. The movie even won nabbed her the coveted best director award at the Cannes Film Festival. And honestly, that shows because this movie is really a directors showcase. That’s not to say that there isn’t great acting on display here, there certainly is, but this movie is all about directing and directorial choices. The first two acts of this movie as completely soundless, in terms of musical score or the like, all we get is either dialogue or something like birds chirping. When we get to the third act however, the reason for that decision becomes clear as when the first horn blast hits us, it really rocks us, in a way it wouldn’t have if we had it all movie. And that really is the corner stone of this movie in its strong, purposeful, and definite directing choices. It’s also a really hard movie to review in terms of trying to rate it. It deliberately paced, but it’s also only about 90 minutes. It has distinct directing, but great subtle acting (most of the time). This is a movie I think that’s really made for certain people. Some people will see this movie as boring and a bit silly, others will see it as tense, suspenseful and unnerving, and in there somewhere is this movie. All in all, The Beguiled is a real showcase of directing, with enough great acting on there too for good measure, and a story that’s definitely something else.

Review Score : 8 out of 10