TTFF 17 Review


Moko Jumbie (Trinidad 2017)

“Asha flies in from England to visit her old family home. But there’s trouble in paradise. Her aunt Mary doesn’t like her associating with their Afro-Trinidadian neighbours. Then Asha begins to realise this abandoned seaside coconut estate is not as tranquil as it looks. Trinidadian-American director Anderson’s striking imagery mingles memory and imagining, the mundane and the supernatural, in examining family, race, class, and the quest for home.”

Written and directed by Vashti Anderson, Moko Jumbie stars Vanna Girod in the title role of Asha. Those are the things I know for sure about this movie, the rest is a bit of speculation. I say that because, honestly, I’m not 100% sure what happened in this movie. It plays out very Terrence Malick esk, where it’s extremely visual, and they are good visuals, but sometimes those visuals, and the narrative don’t over lap. This movie is also about decision making, especially on the part of the film makers here, as many of the creative decisions, didn’t fit what I was seeing. A large component of this film is folk lore, and the myths and legends that came over to Trinidad and Tobago on boasts so long ago. Vanna does a great job of doing what I imagine she was directed to do, and she manages to keep a level a nuance to her performance, especially in the more quiet moments of the film. The problem is when things happen in this movie, they seem to happen almost inexplicably. One moment we have this going on, the next minute there is literally a coup. This decision making, this maybe resolution of style over substance can be a bit jarring, and makes things feel very disjointed. And while this could simply be labeled as more “experimental”, that alone can’t be a crutch to lean on. I feel like Moko Jumbie, as a script or as an idea, was something subtle, something nuanced, but the execution and final product, is muddied and murky. Moko Jumbie stands tallest on the performed of its lead and its visuals, but is let down by its creative decision making, and lack of coherence.

Review Score : 5 out of 10

Visibly Me (Short/Trinidad 2017)

“Visibly me tells the story of a 47 year old woman with no partner and no children who finds herself invisible and feels she has no choice but to find the antidote.”

Visibly Me is listed as a documentary short, but it plays out like a narrative, and I feel like a narrative is what this short really wants to be. It uses mostly voice over to tell the authors story, and to give meaning to what we see on screen. The idea of being invisible is a real big theme here, and it’s shown in the visuals, and the way this short is shot. Most of the angles and compositions have to do with the idea of being right there, but still not being scene, and it that regard they are successful. Where I think there are issues are when these concepts conflict, which I why I say this should have been an actual story, something we could identify with. If this short was made only to appeal to a very specific audience then that’s fine, but I feel like it’s meant to spread a message, over being a closed loop. Even at 13 minutes long, this short feels much longer, as it often seemed to wander seemingly aimlessly very often. All in all I think what we have here is a clash, a clash of styles, a clash of ideas, and a clash of methodology.

Review Score : 4 out of 10

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Review : The Beguiled 

“The unexpected arrival of a wounded Union soldier at a girls’ school in Virginia during the American Civil War leads to jealousy and betrayal.”

The Beguiled 2017, not the be confused with the 1971 movie of the same name, is the latest from Sofia Coppola. The movie even won nabbed her the coveted best director award at the Cannes Film Festival. And honestly, that shows because this movie is really a directors showcase. That’s not to say that there isn’t great acting on display here, there certainly is, but this movie is all about directing and directorial choices. The first two acts of this movie as completely soundless, in terms of musical score or the like, all we get is either dialogue or something like birds chirping. When we get to the third act however, the reason for that decision becomes clear as when the first horn blast hits us, it really rocks us, in a way it wouldn’t have if we had it all movie. And that really is the corner stone of this movie in its strong, purposeful, and definite directing choices. It’s also a really hard movie to review in terms of trying to rate it. It deliberately paced, but it’s also only about 90 minutes. It has distinct directing, but great subtle acting (most of the time). This is a movie I think that’s really made for certain people. Some people will see this movie as boring and a bit silly, others will see it as tense, suspenseful and unnerving, and in there somewhere is this movie. All in all, The Beguiled is a real showcase of directing, with enough great acting on there too for good measure, and a story that’s definitely something else.

Review Score : 8 out of 10

Review : Baby Driver

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“After being coerced into working for a crime boss, a young getaway driver finds himself taking part in a heist doomed to fail.”

I know this review is late…sorry. That aside, what a wonderful movie. The long awaited return of Edgar Wright is here, and he really knocks this one out of the park. Baby Driver takes us the audience on a full throttle, action packed, tension filled, high energy, but full of fun ride, that starts of hot and sweaty and stays that way till the bitter sweet ending. This movie really does check all the boxes. It has a great sound track, wonderfully done and shot action, amazing driving, and best of all, some really well brought to life characters that were all equal parts crazy, as funny, and dangerous. These characters are more than just caricatures also, as much as they are over the top and intense in their personalities, they also a reigned in just tight enough to fit perfectly into the narrative and only add to the furthering plot. The plot itself is also really tight, and it keeps itself moving at a nice pace, that ramps up and down as the film needs. The entire caste here also from Ansel Elgort, Jamie Foxx, Jon Bernthal, Jon Hamm, Lily James and Kevin Spacey, all do so well to make their characters really feel well rounded and lived in, that as i mentioned before, their sometimes over the top personalities don’t seem so over the top that they feel out of place, they just work. You truly get a feeling for their ideals and beliefs and motivations, and these are the things that keep characters compelling. To be honest, Baby Driver is a damn near flawless vehicle (see what I did there) that allows for fun, action, suspense and whole lot more out of a trip to the cinema.

Review Score : 9.5 out of 10